Posted on 17 April 2015
by Dave Ruder
Building on last year’s performance of Berlioz’s Symphonie Funèbre et Triomphale in Bryant Park, which brought together hundreds of brass, […]
Composer Daniel Goode will lead participants, aided by suggested drumming rhythms, through Soho’s cast iron district. Using their hands, the group will drum on the hollow cast iron front of one the buildings that is in the “key of F Major”, turning it into a musical instrument.
Participants are welcome to bring along instruments to play in F Major, or improvise singing. (Note: there is also a prominent B-natural in this chord of F).
Early experimentations in buildings as instruments:
Daniel Goode is an American composer and clarinetist. He studied philosophy, and then music with Henry Cowell, Otto Luening, Pauline Oliveros, and Kenneth Gaburo. Goode's works show influence from several sources, including bird song, Cape Breton fiddling, drone, Indonesian gamelan music, and minimal music (specifically music as a gradual process). Often two or more of these elements are combined in a single composition. Goode served as Director of the Electronic Music Studio of Rutgers University from 1971 to 1998 and is co-director of the DownTown Ensemble which he co-founded in New York in 1983. As a clarinetist he is proficient in the technique of circular breathing, which he uses frequently in performances with the group. Since 1976, Goode has been a member of Gamelan Son of Lion, a Javanese-style iron gamelan ensemble dedicated to new music, for which he has composed many works. His most recent project is the Flexible Orchestra, a reform of the Western orchestra inspired to some degree by his experience with the gamelan as a musical, social, and cultural phenomenon. His works are published by Frog Peak Music and Theodore Presser.